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Clarence H. White (The Aperture history of photography series ; 11)

Reviews

Rating: 5 / 5
Date: 2008-12-28
Summary: "Self-taught, He Was Called the "Western Art Movement Leader""

Clarence Hudson White was a talented self-taught early American photographer based in the "Wilds of Ohio" at the end of the 19th Century. Much of best work was done as an amateur while he was working 12-hour days, six days a week as a book keeper/accountant. "While he worked for a wholesale grocer, he had money each week for only two 6 1/2 x 8 1/2 inch plates. He spent every spare moment planning what he'd do with those two plates on the weekend."
He became a master of light and his human subjects usually had to get up before dawn to model for him, and he typically rehearsed their poses in different costumes for hours before the actual shoot. Naturally he never had money to pay his models for their long, long hours of work. In 1898 much of his work was shown at the "First Philadelphia Photographic Salon." That success led him to become friends with many other photographers including F. Holland Day, who invited him and his family to his Maine Seacoast summer home for several summers where White did some of his best work. That eventually led White to open his own School of Photography on the Maine Seacoast. F. Holland Day became one of the instructors. Clarence later opened his school in NYC in addition to teaching photography at several other institutions including Columbia and the Brooklyn Institute of Arts and Sciences. His life-long financial stress caused him to devote most of his time to teaching as opposed to shooting more photographs. Two of his most famous women students were Dorothea Lange and Margaret Bourke-White, but there were many others. At age 54, apparently due to the high altitude, White suffered a heart attack while conducting his students on a photography tour of Mexico City. His wife and youngest son Clarence H. White Jr. took over his father's photography schools.
White was a humble man who not only instinctively did cutting edge work in his early career, but also was able to inspire many other photographers and helped get photography accepted as a fine art. This volume is a pretty good summary of White's career and life. The main text is written by Maynard P. White and the book also reproduces forty of White's pioneering photographic images. I was only disappointed that more of his early nude work was not included in this volume; otherwise it's a wonderful little portrait of one of America's earliest and best photographers. As one would expect it's up to the usual high standards of "The Aperture History of Photography Series."